Sketch book stuff....

In search for the insperation...

T'was an interesting summer term. Like a great painter said... "The truth is that there is no answer. Only communicating an existence of sensation. When you close your eyes and dream... that's your sensation... Capture it!"

Here is what I have been working on for 10 weeks straight!

36*36 oil on wood panel

30*30 Oil on Panel

36*36 Oil on Wood panel

I apologize for the photo quality.. I promise I will take another photo of this one. As one can see, I am quite the photographer... BLUSH!
Any who, I wanted you to notice the brush strokes and and at this angle it was the only way to do it...

30*30 Oil on panel

My concept for this series was the manifestation of an idea, through mental struggles, that leads to the inspiration. 

To be continued....

From 7 layers to 3...

Here is the last assignment I did for the term:

This painting is a combination of the notion of traditional still life with some contemporary elements. I fell inlove with this 7 layer technique! It gives the painting a much better quality and at the same time, because of the layering, it gives it beautiful depth.

Watercolor... The confidence of making the determined brush stroke...

      I was really excited to take this course, but I found out quickly the level of my drawing skills... Not so great. But I feel that because of this course, it has motivated me to keep practicing. At the beginning we were assigned at least 35 sketchbook watercolor studies. Let me tell ya... these are the most embarrassing studies EVER! But practice makes better right?... RIGHT? well here we go...

Yes, I know what you are thinking... I had pink eye that night. Well you're wrong! I just over did it with the Burnt Sienna (I love that color!)

This is my friend Michelle. She is basically my model for all of my projects (for photography). I sometimes feel bad for her cause I always make her sit still for at least half and hour. She is such a great trooper!

This is my second water color. I love painting portraits because what I find fascinating is all of the different colors I can find. Everyone has different skin stones. Michelle's skin had a blueish undertone.

I know that the giraffe is a little random, but I like how with simple strokes I came up with an image...

This is just a master copy that we had to do in class. I really love this style and I thought it to be cute, funny, romantic humor... What can I say? I a sucker for funny romantic stuff... sigh

I call it... "Love at first grip"

Then there was gouache...

I was not a fan of gouache only because it never dries, BUT! the plus is that it leaves a little more room for error. Still though, I am not fond of it.

Last but not least, acrylic... 

    I believe this to be one big happy accident. This is the first time I worked with acrylics and just to be on the safe side I used the board to be my mid-tone and just kind of worked from there. We also needed to use collage for this assignment, so I used newspaper for the top and I used the photo of the mouse in which I just painted on it a little bit so it can be obvious to the viewer that it was a photograph.

For this painting I was inspired by Dave McKean and his incorporation of collage:

Encaustic

     Encaustic is probably the funnest medium to work with. I relate it to the process on tempering chocolate actually, it's probably why I enjoy it so much, ha ha. If I had to describe it, I would say that it's a happy mix of watercolor and oil painting. Because it dries so fast, you would need to know exactly what kind of mark you are making..BUT if you don't like it or made a mistake, you can always scrape it off.

12*12- Encaustic on panel

The cool thing about this medium is that it is so easy to create depth. This is because of the layering that one has to do so much.

This image was basically experimenting and getting a feel for the medium.

Charles James McCombs...

      So I wanted to do something special for my dad's birthday... Why not paint his portrait from when he was 30?? I thought it was a good idea... A lot more challenging than what it seems. Photographs back then had almost no detail so I had to do a lot of add-ins and figure out certain lighting so it wouldn't look so flat.

14*18- Oil on Canvas

Peaches....

Peaches, 12*12- Oil on Panel

This is peaches everyone... I had the opportunity to paint her portrait before Christmas break as a gift. Not gonna lie, very challenging!